The song in itself is kind of composed as a fusion. A fusion between carnatic and western depicting the situation – a couple from two different caste falling in love. The song starts off with a fusion between a vedic recital and a church coir. However, what was super interesting to me was the interlude 2 in the song.
A base Guitar is supported right from the beginning of the interlude till the end. The interlude starts off with a vocal (like sung in a coir). While the vocal is being sung, a bunch of Voilins start supporting them in the background. At around 0:16, a Veena starts playing and that’s when the fusion really starts to blend in. As the Veena continues to play, the support from the base Guitar continues bringing in the fusion. And then, two sets of Voilins take over. One in the foreground receiving ample support from a bunch of Voilins in the backround along with Cello/Double Base.
I have listened to the Veena/Guitar fusion portion and the Voilins that follow countless number of times. There is no complexity in the composition. Not like 8 layers of music that we are used to these days. A Veena and a Base Guitar. Every one of those countless times I have listened to this, it instantly a sense of aweness and some eternal connect. Something that you cannot describe. Something that I get only from Ilayaraja’s compositions.
I saw this movie may be 25 years ago and didn’t really appreciate it. Never bothered to see it again. But the movie in itself was one of the top rated Tamil movies bagging a lot of awards. And of course the album is still hugely popular. I guess “Aayiram Thamarai” and “Putham Pudhu Kalai” (which was recently reproduced digitally for “Megha”) are popular amongst fans. But “Kadhal Oviyam” still stands out to me for its beautiful composition, the fusion it brings and of course great singing by Ilayaraja and Jency.