Well, I am not a fan of this particular movie even though it had Superstar in it (who wrote the script and screenplay). I remember the hype around the movie as it was written and produced by Superstar, Latha Rajinikanth had sung in the movie (and guess she composed a song as well). It bombed in the box office!! But it had one beautiful song composed by Ilayaraja. “Ennullae Ennullae” is such a beautiful song and an emotional one sung by Swarnalatha (How I wish she had sung more and lived longer!!). While the song captivated me the very first time I had listened to it back in the 90s, I got even more addicted to it very recently due to the composition of the interludes.
As a bunch of violins start, there is a gentle play of either a Cello or a Double Bass in the background. And around 11 seconds when the violins in the foreground starts peaking, the background starts getting filled with those taps of Cello/Double Bass. The flute joins them. And around 28 seconds all of the come together. The Cello/Double Bass give a wonderful finish to the composition. Yet another brilliant composition. The best part is, these compositions were done in the the digital/stereo era and we are now able to hear the nuances of the composition very well (unlike the ones he composed in 70s and 80s which were recorded in mono)
This one is as good as the first one. The pattern is just awesome – a few violins start and as they hit towards the end of their portion, the Cello/Double Bass further extends by playing like a quick “Sine Wave”. A long Sine Wave by the violins followed by a short Sine Wave by the Cello/Double Bass 🙂 This gets repeated twice. Around 12 seconds, as the violins hit the peak, the gentle taps on the Cello/Double Bass happen just like Interlude 1. A Trumpet/Shehnai type vocal instrument joins to give a perfect finish to the composition.
To me, both the above compositions are definitely in the levels of “Symphony Orchestra” that gets immensely appreciated. These feel divine when you listen and can be composed by someone who is completely at peace inside. These compositions had originated in his mind, he has translated them as notes and given to individuals who just played their part. And for him this song would have been “just another song composed on yet another day”
ps: There is actually a pretty lengthy prelude in the song itself which is mainly composed of the traditional Kerala “Chenda Melam”
pps: Both the interludes end with a female chorus. Despite multiple listens, I somehow didn’t like both the chorus. I feel it lowers the overall quality of the entire composition (like a Dhrishti). Of course, he is the master and the genius and he would have every reason to have that. Just that I didnt like it. I included in the first one above (so that you can listen and form your opinion :)) and deliberately removed in the second
Here’s the full song if you are interested in listening:
pps2: What a lame picturization for the song (try watching it in Youtube). And how such a genius composition gets lost in a crappy movie like Valli!!